(Tango)
Program: "Fantasy and Fugue in B flat major, "alla fantasmatta" ...
They entered the Teatro.
In the sewers of the lower floors.
No, could imagine this concert, with goblins ...
But, however, gave him a "pesto" barbaric,
the "concertinos" more seasoned.
With lucky "bravura solos"
Sung by "tenors etheric"
Each instrument sounded,
In their chairs were waiting, early and too lazy ...
Abusing on Monday, with those long yawns ...
They started playing, the "first violins."
Then followed the "contracanto" ...
Violas, cellos and basses.
The "angels" left them without worry,
thinking it was, of a trial.
We gave the public, "Elves music lovers" ...
Ten birds gold paper, flying in circles ...
Then came, "woods", "tempo" ...
Oboes, bassoon and clarinets.
Tango executed a gleaming,
In one of the "voices" of "Fuga", "Apiazzolleada".
Missing the esoteric verses of Horace ...
He muttered a ghost playing the "Bombo" spade.
The drums announced a "Stretto"
and the "coda", the "Tutti" in full ...
They were eminent teachers, "tangábiles" ...
when sounded, all the "bronze".
Horns, tubas, trumpets and trombones ...
And flutes, "a counterpoint giusto".
Some tubas choked with "Canons", ingestos ...
With the dry echo of a pipe, "afantasmado".
Then he struggled with a "cadence" of piano,
did mourn until the Saints ...
It was a "Grand Concert", so called ...
"Fantasia and Fugue in B flat major," alla fantasmatta ".
The "allegro finale" was a "march with scab" ..
True, the style, "Buenos Aires" ...
And just as he was "generated" the same "Maria de Buenos Aires"
They were lapsing, the last "phrase" ...
Nobody guessed this credible or acceptable ...
I commented on the "Subscribers" strenuous "audiophiles" and some others sillys ...
Daniel H Guasti / pisulinoal@yahoo.com.ar
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